Major
I leave you with this.
Zora: An ode to Anthropology
I find you freeing
in your modern and lagging
techniques
and ethics.
And yet
you are the most
conflicting matter I have encountered
in my fifteen years of schooling.
For you are not what I thought.
For you are not English,
and your tongue does not swirl around
hyperbole
and
alitteration.
Though you have old white men
and women,
yours are less likely to drink
twenty seven consecutive whiskies
or
stick rocks in their pockets
and whisper “Dearest Ophelia” as they float
down
down
down
the river.
For you are not Poetry,
or Literature,
or Prose,
or, god forbid,
the Anthology.
But you bleed, oh yes,
you bleed and blend together.
Because in you
lies what lies in them.
Because in you
lies junkies left over from the Beat genocide,
lies a “To Let” sign in a half foreclosed home window,
lies burning books,
lies a ubiquitous river winding
down
down
down
twisted paths.
Zora may have known what she was doing,
bleeding and blending the two together
and laughing a sorrowful laugh
while riding the railways
down
down
down
to Mississippi.
Zora may have known,
but I sure as hell don’t.



